Before graffiti artists start bombing the streets, they typically learn how to write graffiti with pencil and paper. The following steps are intended to be an introduction to writing in graffiti.
Step1 Choose a word to write in graffiti. Many graffiti artists use their name or pseudonym.
Step2 Choose a graffiti style. There are dozens of unique styles for writing in graffiti. You might consider becoming familiar with different styles by taking note of professional pieces of graffiti in your city or online. One of the most popular graffiti styles for beginners is bubble letters.
Step3 Once you have found your graffiti style of choice, keep an example of it on hand for reference. Put your pencil to paper and make light strokes to mimic the style of your example. Erase and rewrite as necessary until you are satisfied with your pencil drawing.
Step4 Add details such as shading or graphics. Use your creativity. Keep it relatively simple until you grow comfortable writing more complex graffiti.
Step5 Use trace paper or a photo copier to make a copy of your completed pencil drawing. This will make it easy to start over in case you make a mistake in the next step.
Step6 Use a marker or pen to darken the pencil marks. Make them permanent. Use colored markers or crayons to fill in your letters and compete your graffiti writing.
Step7 Keep practicing and experimenting with graffiti to develop a unique style you can call your own.
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Tuesday, December 21, 2010
Write In Graffiti
Sunday, December 12, 2010
Excellently Executed - The Secret Drawings of Graffiti Writers
Way before there were all these electronic networks, there was piecebooks. And within the confines of the book's covers, writers explored styles and studied up on the art. With that in mind, Sacha "SHR" Jenkins and David "Chino" Villorente have compiled dazzling pages from the real sketchbooks of graf legends like Zephyr, Lady Pink, Dondi and Sane for Piecebook: The Secret Drawings of Graffiti Writers (Prestel).
"Piecebooks are also used to collect work from other writers we respect/admire," says Villorente. "There are very few items a writer might buy at 14 years old that they'll still be purchasing and passing around at 41." Through close attention to design detail--simulated duct taped spine, illustration proportions and texture over 200-plus pages--the two have triumphed, where most have failed, in capturing graf's authenticity in book format. --Mass Appeal, Issue # 51
Before it hits the wall, graffiti is often painstakingly planned out in a sketchbook or piece book. Well-worn and dog-eared, these books are passed along from artist to artist as a way of sharing ideas and offering instruction. Here hundreds of drawings, most of them never before published, are reproduced on uncoated paper to resemble the pages of an authentic piecebook. Bold and beautiful works from graffiti history s most important sources or seeds Zephyr, Dondi, Daze, CRASH, Lady Pink, T-Kid, CAP and Ghost, among others represent a dizzying array of techniques.
The authors, former graffiti practitioners themselves, offer biographies of the artists and an introductory essay on why piecebooks have become such valuable historical records. Fans of graffiti will find this an irresistible inside look at how their favorite artists perfected their talents.